Aerial videos of fortresses, churches and landscapes

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The Tmogvi fortress is first mentioned in sources from the 9th century. It was built as a defensive work controlling the ancient trade route between the Armenian plateau and the lowlands of Iberia (or Kartli, present-day Eastern Georgia), over a gorge formed by the Kura River. It was a crucial military stronghold in the region of Javakheti (Javakhk in Armenian), one of the borderlands between Armenia and Georgia. The feudal lords of the region were at that time the Bagratids, either of the Armenian or the Georgian branch.

Tmogvi gained importance after the neighboring town and fortress of Tsunda was ruined around 900 AD. By the beginning of the 11th century, the fortress had passed under the direct control of the unified Kingdom of Georgia.

In 1073, it was given in apanage to the nobleman Niania Kuabulisdze; his descendants kept it in the following centuries, before it passed to other major feudal families such as the Toreli, the Mkhargrzeli, the Shalikashvili or the Jaqeli. In 1088, the castle collapsed in an earthquake. The medieval Georgian writer Sargis Tmogveli was from Tmogvi. The Ottoman Empire gained control of the fortress in 1578. In 1829, the Treaty of Adrianople transferred the fortress, among with the surrounding region, to the Russian Empire.

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Alaverdi St. George Cathedral (first half of the 11th century) is located 18 km from the town of Telavi in the Alazani-River valley. Earliest structures of Alaverdi Monastery date back to 6th century. The present day Cathedral is part of an 11th century Georgian Orthodox monastery. The Monastery was founded by the monk Joseph [Abba] Alaverdeli, who came from Antioch and settled in Alaverdi, then a small village and the former pagan religious centre dedicated to Moon. At the beginning of 11th century, Kakhetian King Kvirike the Great built a cathedral in the place of a small church of St. George.

Alaverdi is the highest cathedral in Georgia (up to 50 meters). It dominates the surrounding landscape in a fertile river valley against the backdrop of the Caucasus Mountains. It is a cross with three apses inscribed in a rectangle. In the western part of the building, there are galleries on the second tier of the side naves. The interior of the cathedral is extremely imposing. Outside the Cathedral is devoid of embellishments, and the facades have monumental blind arcades and niches for decoration, which give the entire structure an air of monumentality and solemnity. The walls are of fieldstone faced with hewn slabs of shirimi water tuff, now badly weathered. An area enclosed by a fortified wall contains dwelling houses, the refectory of the monastery, wine cellars, baths, and other structures.

The characteristic features of the Kakhetian architecture with its upward aspiring tendency were reflected in Alaverdi. The decor is totally neglected. An impressive space of the interior of this church has no analogy in Georgia.

Alaverdi Cathedral was in use since construction began and has been a subject of several modifications: restoration (part of the walls and the entire dome with the drum) in 15th and in 18th centuries; in the 19th century, the church lost its chapels on the north and south sides. However, its overall authenticity and integrity is preserved.