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ftn807

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Posts posted by ftn807

  1. Thanks guys. You have put together a wonderful review from the second you hit the cruise button.

     

    Andrew

     

    Thanks for the thanks. We've had a blast doing it. And we're really enjoying our going-away evening here. After dinner at Devinly Decadence, we soaked in the hot tubs in the (empty, literally) Solarium, caught a wonderful show by Horizon in the Music Hall, and are currently in the Schooner Bar listening to Graham Sinclair on the piano. Quite a nice way to wrap up the cruise.

  2. DW is having Internet connectivity issues at the moment, but wanted me to say that her phone just auto-corrected 'canteloupe' to 'can't elope'. Mine did it too here, but I wrestled it to the ground and forced it to submit to my spelling will.

     

    We're eating at Devinly Decadence tonight, hence the canteloupe reference, as they have a canteloupe soup on the menu. DW promises a review will be forthcoming. I promise nothing.

  3. As I was sailing solo last night, I thought I should write a lengthy, serious treatment of the evening. But that's probably not going to happen.

     

    I made my way down to the Royal Theater around 6:30, and snagged a good seat for the 7:00 showing of Sonic Odyssey. It probably had THE best opening for any entertainment spectacle on this ship, as Ken Rush did NOT come on stage first to tell a bad joke. To sum up without giving away any spoilers, the singing, dancing, and sheer musical innovation make this show a worthy follow-up to the earlier, less well-known shipboard production of Aural Iliad.

     

    **SPOILER ALERT**

     

    (Always wanted to do that. You can certainly read this and enjoy the show, and there is no plot or surprise to give away, but if you don't want to know some specifics about the instruments, etc., then just skip the rest of the post. You won't be missing much!)

     

    The show started out with a glass of Breckenridge whisky, on the rocks. At least it did for me. Then the lights dimmed, and they introduced the Maestro, who would play most of the over-the-top instruments, as well as do his best to tie the other elements of the show together. Oh, and he had hair.

     

    First up, he wowed the crowd with the Earth Harp, which is just like a mouth harp, without the mouth and with the earth. It was impressive, mostly because the thick, long cables did not snap and kill the folks sitting in section G. Soon after, some people escaped from a dance prison, all hell broke loose, and a piano played them all off. (This May Not Be Entirely Accurate Due to Breckenridge. TMNBEADB.)

     

    Next up, a very large, vertical drum had babies, and lots of banging noise almost managed to drown out the sound of the ship running over whales. (See DW's earlier post.) This act really brought some energy to the show. Imagine the back wall of the stage with about 40 drums arranged so the heads are vertical, facing the audience. The Maestro began banging on the large mother-drum, and gradually the curtain behind him lifted, revealing more and more of the drum wall. A percussionist with 4 arms (Again, TMNBEADB) began to percuss a center cluster of drums, and before the end of the set there were over a dozen drummers drumming, some standing on the stage, others hanging in harnesses. The lead guy from Mamma Mia was sitting in a nook on the wall, acting like he belonged there, but I'm fairly certain he has just been stuck there since that crazy wrap party last Wednesday.

     

    Speaking of Mamma Mia, it looks like the whole cast from that show was involved in Sonic Odyssey, from the (truly wonderful) singing to the dancing and aforementioned drumming. And for accompaniment, they were joined by a percussionist at his set (because The Wall of Drums was not enough), a piano, saxophones and brass, a violinist, guitarists, and another guy who mostly tapped his foot and smiled a lot. All of it was brought together by the sound guy in front of me, who not only managed to control things from his NASA-level equipment booth, but also made it to level 343 of Candy Crush Saga. Oh, and I almost forgot (you don't know how hard I tried to forget this) but there was a lady in a, um, an, er, string dress. Basically, she stood there and was, um, bowed by the Maestro and his cohorts. (This Is Accurate Despite Breckenridge.) It was probably the third most-gimicky thing they did in the show, and I had a hard time not laughing.

     

    But the Maestro was not done making me almost laugh.

     

    There were the drum jackets he and the rest of the cast wore, because drums. Basically, each jacket had 6 or so patches that, when slapped, would generate a different percussion sound. By the end of that act, which had so many people on stage in those jackets I was sure I saw my cabin attendant out there (hi Adrian!), I was certain they couldn't possibly do any more percussion-themed acts, by law.

     

    However, we're out at sea where the Captain makes the laws, and he clearly can't get enough of that stuff, because then there was the Gong Show at Sea. Imagine gongs, and it will save me some writing here. It's not easy doing this on a tablet, and DW is getting cold here in Two70.

     

    I'll briefly mention The Guitar, about which I will lie and say was not ridiculous.

     

    There were other acts, mostly singing and dancing with musical accompaniment, that rounded out all these things. And I know I was making fun of all these over-the-top instruments, but the show was very good. They did do a great job of incorporating all the pieces and parts, ending up with something that would be very entertaining to anyone with an appreciation for music. Music with enormous harps and guitars, a guy stuck in a wall, and lots and lots of drums.

     

    I give this show 4 out of 5 Breckenridges.

  4. We're waiting in Two70 for Captain Henrik Loft Sorensen to start his talk, 'The Secrets of Dealing with Passengers'. Wait, that's tomorrow. Today it's 'The Secrets of Ship Navigation '. I'm fairly sure most of the people think he's going to talk about finding your way around the ship, as I've heard a lot of whispered talk about 'finally finding out what this "starboard" thing is all about', and the guy we've repeatedly seen wandering around the passageways looking rather confused at all hours of the day seemed ebullient, muttering 'maybe I'll finally find my stateroom' over and over.

     

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  5. I assume by pool you mean billiards? I wasn't aware Quantum had a pool table. I have played on Jewel.

    There are four (I think) tables on the fourth deck, behind the bar in the Music Hall. We were in port at the time, but I heard through the grapevine that they are self-leveling when the ship is rockin'. They are also smaller than what I consider to be a standard size table, and the balls are all either red or yellowish orange, plus a cue ball and eight ball. No cost to play.

     

    If I'm wrong about any of this, I'm sure I'll be corrected in 3, 2, 1...

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