The Mariinsky Ballet Company

[Princess Di]

Article address: http://www.mariinsky.ru/en/ballet

 

 

The Mariinsky Ballet Company is closely linked with the entire history of the development of Russian choreographic art which began more than two and a half centuries ago. An important role in the establishment and evolution of Russian ballet was played by foreign masters. At the end of the 18th century, Franz Gilferding, Gasparo Angiolini, Giuseppe Canziani and Charles le Picqué were all working in St Petersburg. Already in the 1790´s, however, the first Russian ballet teacher, Ivan Valberkh, came to the fore. The main sphere of his activities was in a small mime ballet company. He sought to make his productions rich in subject matter and to create recognisable, lifelike images.

Ballet divertissements, reflecting his response to the events of the Napoleonic War, occupied a special place in his work. The history of St Petersburg ballet in the 19th century was associated with the activities of Charles Didelot, Jules Perrot, and Arthur Saint-Léon. In 1869, the position of principal ballet master was entrusted to Marius Petipa who markedly raised the professional standards of the company. The peak accomplishments of this famous master became ballets staged in the period of his collaboration with the composers Pyotr Tchaikovsky and Alexander Glazunov - The Sleeping Beauty, Swan Lake and Raymonda. The talents of many generations of ballerinas have been revealed in them - from Yekaterina Vyazem, Marina Semenova and Galina Ulanova to younger dancers who are just starting their careers on the Mariinsky stage. At the turn of the 19th century, the Mariinsky Ballet Company produced such great dancers as Anna Pavlova, Mathilde Kschessinska, Tamara Karsavina, Olga Preobrazhenskaya, Olga Spesivtseva, Vaslav Nijinsky and Nikolai and Sergei Legat. Many of them brought glory to Russian ballet during the legendary Saisons Russes in Paris which brought the pioneering works of Mikhail Fokine to Europe. The first years after the Revolution brought difficult times for the Mariinsky Theatre. Almost all its leading artists abandoned the company. Nevertheless, the classical repertoire was retained during this period. In 1922 when Fyodor Lopukhov, a daring innovator and a brilliant connoisseur of the past, became head of the company, its repertoire was enriched with new productions, in particular ballets dealing with contemporary life. Galina Ulanova, Alexei Yermolayev, Marina Semenova and Vakhtang Chabukiani all danced at the Mariinsky Theatre during that period. Ballet in the 1930´s was largely influenced by dramatic theatre, and this was reflected in such productions as Rostislav Zakhar´s The Fountain of Bakhchisarai, Vakhtang Chabukiani´s The Heart of the Hills and Leonid Lavrovsky´s Romeo and Juliet.

The 1960´s saw Spartacus and Choreographic Miniatures by Leonid Jacobson being staged, productions of The Stone Flower and The Legend of Love by Yury Grigorovich, as well as The Coast of Hope and The Leningrad Symphony by Igor Belsky - ballets which revived the traditions of symphonic dances. The success of these productions would obviously be impossible without superb performers. During the period of the 1950´s-1970´s, the company´s dancers included Irina Kolpakova, Natalia Makarova, Alla Osipenko, Irina Gensler, Alla Sizova, Rydolph Nureyev, Mikhail Baryshnikov, Valery Panov, Yury Solovyev and Anatoly Sapogov.

La Sylphide and Napoli by August Bournonville appeared in the repertoire towards the end of the 1970s, as did fragments of old choreography by Perrot, Saint-Léon and Coralli. Roland Petit and Maurice Béjart came to work with the company for some time. The Tudor Foundation donated the rights for the ballets Lilac Garden and Leaves Are Fading. Jerome Robbins staged In the Night at the Mariinsky.

The present-day repertoire of the Mariinsky Ballet Company includes, along with Petipa´s legacy - Swan Lake, Le Corsaire, La Bayadère, The Sleeping Beauty (reconstruction of the 1890 production) - ballets staged by George Balanchine and John Neumeier.